The effect is that of a modern-day Bosch painting — a hellish eyesight of the city collapsing in on itself. “Jungle Fever” is its own concussive drive, bursting with so many ideas and themes about race, politics, and love that they almost threaten to cannibalize each other.
The story centers on twin 12-year-old girls, Zahra and Massoumeh, who have been cloistered inside for nearly their entire lives. Their mother is blind and their father, concerned for his daughters’ safety and loss of innocence, refuses to let them beyond the padlock of their front gate, even for proper bathing or schooling.
The movie begins with a handwritten letter from the family’s neighbors to social services, and goes on to chart the aftermath of your girls — who walk with limps and have barely learned to talk — being permitted to wander the streets and meet other youngsters for your first time.
Will not dream it, just be it! This cult classic has cracked many a shell and opened many a closet door. While the legendary midnight screenings are postponed because of your pandemic, have your personal stay-at-home screening!
The movie was motivated by a true story in Iran and stars the actual family members who went through it. Mere days after the news item broke, Makhmalbaf turned her camera around the family and began to record them, directing them to reenact specified scenes according to a script. The ethical questions raised by such a technique are complex.
Montenegro became the first — and still only — Brazilian actor to get nominated for an Academy Award, and Salles’ two-hander reaches the sublime because de Oliveira, at his young age, summoned a powerful concoction of mixed emotions. Profoundly touching yet never saccharine, Salles’ breakthrough ends with a fitting testament to the idea that some memories never fade, even as our indifferent world continues to spin forward. —CA
‘Lifeless Boy Detectives’ stars tease queer awakenings, preferred family & the demon shenanigans to come
Played by Rosario Bléfari, Silvia feels like a ’90s incarnation of aimless 20-something women like Frances Ha or Julie from “The Worst Human being while in the World,” tinged with Rejtman’s usual brand of dry humor. When our heroine learns that another woman shares her name, it prompts an id crisis of kinds, prompting her to curl her hair, don fake nails, and wear a fur coat into a meeting arranged between the two.
Maybe you love it for that message — the film became a feminist touchstone, showing two lawless women who fight back against abuse and find freedom in the method.
I have to rewatch it, because I am not sure if I received everything right concerning dynamics. I would say that certainly was an intentional move by the script writer--to enhance the theme of reality and play blurring. Ingenious--as well as confusing.
And still it all feels like part of a larger gelbooru tapestry. Just consider all the seminal moments: Jim Caviezel’s AWOL soldier seeking refuge with natives over a South Pacific island, Nick Nolte’s Lt. Col. trying to rise up the ranks, butting heads with a noble John Cusack, and also the company’s attempt to take live sex video Hill 210 in among the most involving scenes ever filmed.
was praised by critics and received Oscar nominations for its leading ladies Cate Blanchett and Rooney Mara, so it’s not exactly underappreciated. Still, for many of the plaudits, this lush, lovely time period lesbian romance doesn’t get the credit score it deserves for presenting such a dead-precise depiction in the power balance in the queer relationship between two vigorous blonde sweetie jessa rhodes bent over for a bonk women at wildly different stages in life, a theme revisited by Kate Winslet and Saoirse Ronan in 2020’s Ammonite.
The film that follows spans the story of that summer, during which Eve comes of age through a series of brutal lessons that power her to confront The very fact that her family — and her broader Neighborhood outside of them — will not be who childish folly had led her to believe. Lemmons’ grounds “Eve’s Bayou” in Creole history, mythology and magic all while assembling an astonishing group of Black actresses including Lynn Whitfield, Debbi Morgan, as well as the late-great Diahann Carroll to produce a cinematic matriarchy that holds righteous judgement over the weakness of Guys, who are in turn are still performed with enthralling complexity by the likes leaked onlyfans of Samuel L.
As handsome and charming as George Clooney is, it’s hard to imagine he would have been the star he is today if Soderbergh hadn’t unlocked the full depth pandamovies of his persona with this role.